The extent to which Othello is responsible for the tragedy which occurs at Reasons for othellos downfall end of the play Iago: Hesitation is almost impossible to him.
He is to save Desdemona from herself, not in hate but in honour; in honour, and also in love. What is the effect of his public humiliation of Desdemona by slapping her.
And finally, insight is given to this appearance through the words of Brabantio, his father-in-law, who speaks incredulously of his daughter's love for Othello: In Othello, most of the action takes place between only two characters: But it is not surprising that his utter powerlessness to repel it on the ground of knowledge of his wife, or even of that instinctive interpretation of character which is possible between persons of the same race, should complete his misery, so that he feels he can bear no more, and abruptly dismisses his friend III.
Most proud people will never consider themselves Reasons for othellos downfall be truly proud until they come face to face with the consequences of their pride. How does Iago plant the idea of Desdemona's infidelity in Othello's mind, and how does he make it grow.
First, he loses his mother and wife as Jocasta is found "hanging, the twisted rope around her neck" The sources of danger in this character are revealed but too clearly by the story.
But just because Iago has more control over the characters before the final scene in Act 5, doesn't mean he is the main character. Yet, Desdemona remains faithful to her husband. These suggestions are followed by a tentative but hideous and humiliating insinuation of what his honest and much-experienced friend fears may be the true explanation of Desdemona's rejection of acceptable suitors, and of her strange, and naturally temporary, preference for a black man.
And he is not merely a romantic figure; his own nature is romantic. It is clear to the audience that Iago despises Othello, which likely stems from him being a Moor, despite being a well-respected man. Othello is black, Desdemona is white; Othello is a soldier, Desdemona is the pampered daughter of an aristocrat; Othello is knowledgeable and experienced, Desdemona is naive; Othello is much older than Desdemona is.
He is condemned to exile ; Desdemona's relatives eventually execute him. At the beginning of Act 3, Othello is completely in love with Desdemona.
In order to accomplish this goal, Iago implements several tactics, one of which is to make Othello believe that his wife Desdemona has cheated on him with Cassio. It is important to know that this is a highly artificial and academic definition which Shakespeare himself does not use, and which hinges on whether there is a "tragic hero" as described by Aristotle Basically, Oedipus in Sophocles' Oedipus Rex.
But before the end there is again a change. An ineradicable instinct of justice, rather than any last quiver of hope, leads him to question Emilia; but nothing could convince him now, and there follows the dreadful scene of accusation; and then, to allow us the relief of burning hatred and burning tears, the interview of Desdemona with Iago, and that last talk of hers with Emilia, and her last song.
In Othello, we have a marriage between two people who are very different: It is the feeling, If she be false, oh then Heaven mocks itself; the feeling, O Iago, the pity of it, Iago. Many fateful events also assisted to the downfall. He had no reason for harming her, but Iago was able to use her and plan her death without her even knowing, simply because she was associated with Othello and seemed to be a useful pawn present at the time.
His self-control has wholly deserted him, and he strikes his wife in the presence of the Venetian envoy. The 'madness of revenge' is in his blood, and hesitation is a thing he never knew. From this time forth I never will speak word. Othello is not without flaws however.
So he comes before us, dark and grand, with a light upon him from the sun where he was born; but no longer young, and now grave, self-controlled, steeled by the experience of countless perils, hardships and vicissitudes, at once simple and stately in bearing and in speech, a great man naturally modest but fully conscious of his worth, proud of his services to the state, unawed by dignitaries and unelated by honours, secure, it would seem, against all dangers from without and all rebellion from within.
Here, however, there occur ominous words, which make us feel how necessary was this self-control, and make us admire it the more: For each theme ask yourself: Even when, at the sight of her apparent obduracy, and at the hearing of words which by a crowning fatality can only reconvince him of her guilt, these feelings give way to others, it is to righteous indignation they give way, not to rage; and, terribly painful as this scene is, there is almost nothing here to diminish the admiration and love which heighten pity.
Over the course of that time, Othello should have stood back and evaluated the article, and voiced open-mindedly to Desdemona, Cassio and Emelia, to appreciate that the story was a lie. What reasons does he give for hating Othello. The Othello who enters the bed-chamber with the words, It is the cause, it is the cause, my soul, is not the man of the Fourth Act.
Mar 08, · A Foolish Man s Love (Othello s downfall) There are many reasons for Othello s downfall in the play Othello. There isn t one single factor that can be noted as the entire reason for Othello s downfall.
It took an unusual set of circumstances, and a varied cast of characters to weave the intricate webs that created Othello s eventual downfall. The Downfall of Othello Othello, written by William Shakespeare, is the perfect example of a romantic tragedy in which events involving the themes of jealousy, greed, revenge, and appearance versus reality bring the play to its tragic end.
A summary of Act I, scene iii in William Shakespeare's Othello. Learn exactly what happened in this chapter, scene, or section of Othello and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Othello and Odysseus are both war heroes in their stories that have overcome many obstacles and have many stories to tell.
The difference between these war heroes is that Odysseus is a trickster of sorts while Othello appears to be the one getting tricked. The tenacity of the woman serves actually as her downfall. Desdemona tends to champion the cause of Cassio especially when she is well aware of the fact that this may lead to some problems in her life.
When Desdemona believes he is dead, she sincerely moans. This proves that Desdemona has nothing to. Sep 30, · 2 thoughts on “ Othello and Desdemona: What Went Wrong? hmowen16 October 3, at pm. I think that you raise some interesting points here in your post, but I am not totally convinced that Iago is a master manipulator.Reasons for othellos downfall